MATERIALITY featuring Paulette Martsolf - Geoffrey Nelson
Canyon Contemporary Artist Reception
MATERIALITY featuring Paulette Martsolf - Geoffrey Nelson
Friday, July 10th from 5-7pm join us for an evening with
contemporary artists Paulette Martsolf and Geoffrey Nelson
featuring lively artist discussions, new artworks, live music,
& cocktails by As Above, So Below Distillery.
Exhibition runs through Sunday, July 19th.
About Paulette Martsolf
Often my artwork is a reflection of the beauty of the female form expressed by the sensorial curves that undulate across the substrate. Imagination and fantasy drive the energy behind each piece, with the paint meeting the paper in a dance of creation. As a former fashion designer, my decades of experience inform my 2D and 3D work, allowing me to weave together elements of paint, fabric, minerals and other inspirational materials that are sometimes sculpted, sewn and woven to create each piece.
Childhood memories from Newfoundland combined with my life in Texas shape the artistic process. I draw inspiration from the past by incorporating components, once part of my life, into the contemporary artwork. Each piece is a unique blend of then and now, evoking a sense of elegance and beauty in the art.
For me art is not just a means of expression, but a way to capture moments in time and bring them to life in a tangible form. Join me on this journey of creativity and exploration where sophistication meets innovation in every brushstroke and weave.
I create art as an offering of beauty, joy and connection honoring the stories we carry and the humanity we share.
https://canyoncontemporary.com/artist/paulette-martsolf
About Geoffrey Nelson
Beautiful Creatures
People often ask me how I came to this point with my sculptures.
I used to tell them that they evolved out of my long career as a photographer and my photographic series of mythical feminine creatures like angels and fairies. I would also usually mention that I was intent on sensualizing the female nude statue and presenting her in a 21st Century context.
But then some one came to a show and out of the blue asked me if I go to Burning Man. I asked him if he does and he said “No, but your work looks like you do.”
And I realized that my work does come out of that crazy, dystopian, hallucinogenic state fair that is Burning Man.
Not in the literal sense. Though I have been going for many years I have never constructed a piece specifically for Burning Man. More in the sense that the the women that attend the festival dress and act like my sculptures look.
They are feminine, tough, creative people of all ages and body types who are there to celebrate being a woman. They dress in headdresses, horns, corsets, long flowing skirts, topless or with more clothes than Marie Antoinette but always with a distinct and powerful femininity.
I realized that my statues have come out of that world. They may have wings or horns or corsets lit but they are always their own unique and powerful women.
The technical innovations in my work are more prosaic but also have Burning Man origins. I developed this technique of using heated acrylic strips while helping build a friends piece for the event. Frustrated by the inability to create a lit human figure that would be transparent I experimented with various materials until I hit upon the technique of molding heated acrylic to a built form. The base human form is built out of epoxy, fiberglass and other materials. The heated strips are laid down on the piece and then form is pulled out and the pieces are screwed back together. I am then able to paint, rust, flock, patina, silver, gold and copper leaf to my hearts content.
As my work continues to evolve, the materials I use may change, but the basic desire to create these strong powerful feminine creatures does not.
https://canyoncontemporary.com/artist/geoffrey-nelson